
I made another ASCII graffiti experiment a few days ago at Röda Sten in Göteborg. More photos over here.

I made another ASCII graffiti experiment a few days ago at Röda Sten in Göteborg. More photos over here.

Vector Festival in Toronto will show Fist of Trade, a C-64 PETSCII-demo with my music in it, as part of their demoscene exhibition Execute! From Scene to Screen today. Fist of Trade was originally released at Datastorm 2014, and was on my latest album, Floptrik.
I collected all things ASCII graffiti on to a page. Have a look!

I wrote a text for Rhizome’s Net Art Anthology. It’s an online exhibition that just started, and will go on for two years to show old and new net art.
I was asked to write about Reabracadabra, made by Eduardo Kac in 1985. It’s made for videotex, an early network technology sort of like a two-way teletext that was successful pretty much only in France, with the Minitel.
It’s a fascinating (and forgotten) technology, and I’m glad Rhizome helps to bring this forth. I for one am going to keep on digging into the videotex world at t3xtm0.de if not somewhere else.

Dan Farrimond, one of the most prolific teletext artists out there, has used some of my music for his newest exhibition, Seafax.
On display now at L’Unique in Caen, France.



Spraypainted ASCII-graffiti in Varberg, Sweden, 2016. Thanks to Karin Andersson for helping out!
More photos at the text-mode tumblr and more ascii graffiti here.

In 2013 I sort of made a music program for teletext. Screens of it were shown at the International Teletext Art Festival (ITAF), and it is currently showing on the Museum of Teletext Art on the German TV-channel ARD.
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I typed a tracker on a typewriter and posted it on le Instagram. It’s very loud!
I made a new ASCII graffiti piece, this time in colour. I made stencils for characters like / and _ and sprayed them one by one. This was a practice round for what I will do at the PLATINE festival in Cologne soon.
I started the day by catching a shaver falling from the skies with my hand and then cutting myself with a knife, which made this a very non-digital experience. Set in mO’sOul’s Amiga font!

A while ago I made an improvised live-set where people could tell me what to do, by filling in a form. It’s like the live-performed version of the more asynchronous previous Dataslav performance. And more abstract. Or concrete, maybe?
I made two 30-minute sets and the second one was documented by Jacob Remin, so here it is for you (wav). The forms below are time-stamped, so you can sort of follow how they influenced the music. If you understand Danish, that is. Which everyone does.









