Recent or upcoming shows
I'm playing Balter Festival in Wales, June 3rd!
I'm playing Space Cassette in Manchester on June 2nd, together with Henge and...
I'm playing Bitgrid in Antwerp with Shirobon, Monodeer, Rymdkraft, Hexadeci, Mega Thrive, HavocCc, Jotie vs HIA, I am Legendary Robot and...
03 Spring Bytes, 31 March, VR-Republic, Liège, Belgium, yeah!
I'll play some C64 ambient at Datastorm in Gothenburg on Saturday morning, as the poor demosceners are refuelling with breakfast. I will improvise from scratch with nothing but defMON and a delay pedal, and also over recordings of previous improvisations. I do the...
Two shows in Ljubljana coming up: Feb 2: MENT festival/conference, as part of the Kamizdat night. I'll also be in the panel talk FREE/LIBRE MUSIC: ARTIST’S MEDICINE OR POISON? Feb 6: ZVO.?I.TI (so.und.ing) DUO, doing a solo C64 improv set and a joint performance...
Some people call me a hacker, but I consider myself more like a Turing complete user. I just make stuff. I’m not inventing or creating new sounds with these machines. It’s more like I’m discovering them. They were always there.
I think we can never completely understand what a piece of technology is or does. And I don’t think humans are in control of what we design. Even a very simple digital system is beyond our grasp, beyond our understanding. Maybe it deserves some kind of respect? On the other hand, technology that is clearly designed or destined to control, monopolize and manipulate should be treated accordingly.
Ze big questions: What is work, what is art, and what is value? As old fashioned as it might sound, quality matters to me. I’m fascinated with people who take the time to really learn how to work with a medium/instrument/tool. But I am also fascinated by beginner experiments and non-productive mistakes. The master slave dichotomy!
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